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2020 Furnace and Lehr at Quarley - Firing Five - Furnace Performance and Lehr

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Furnace Performance and Lehr   Pots and Breakages   Glassblowing

Furnace Performance

Fuel Use
To fire the furnace to an average working temperature of 1040°C, we used 1530 kilos (1.53 tonnes) of wood over nine days, at an average rate of 13.83 kilos per hour, or 170 kilos for each average 12.32 hour firing day.

To warm up the furnace to 1000°C in readiness for pot-filling, we used a mix of old fence posts and Chestnut. To maintain glassworking temperatures we used mainly Beech with a small amount of Walnut, all of which was heavily woodwormed. This resulted in a lower calorific value, burning more of this wood that one would normally expect, and is probably the main reason for the rate of fuel use (13.83kg/hr) being higher than that of Firing Four (13kg/hr).

The reason for switching to Beech and Walnut after three to four hours of burning fence posts and Chestnut is that the fence posts had been treated with preservative and the Chestnut bark contains a high amount of sulphur: both of which could contaminate the hot gases and affect the glass whilst it was being worked.

As we had less pots in the furnace (one large pot and two small pots), there was more room for the flames and products of combustion to flow through and escape. This resulted in far less burnback and a presumably more efficient burn.

In an effort to stop the attack on the glass surface, we tried to keep the burn calm so there was very little flame around the melting and reheating areas. This did work to a degree, and the glass had less surface attack when doing this.

Furnace Atmosphere
The nest (a protective container for pots - see this page) acquired a pale blue glaze over its original dark brown surface. A new cross-secton showed the thin brown colouring over a light brown interior, so the glaze did not appear to affect the outer brown layer.

Is this blue layer evidence of reduction? It is possible, as there were not uncommon instances of black sooty smoke, particularly when raising the furnace temperature in the morning. The formation of a glaze in a reducing atmosphere on the surface of an iron-rich fired clay would tend towards blue rather than green.

Furnace Condition
The furnace structure is now showing obvious signs of wear and deterioration, with several large cracks widening, particularly around the gathering holes, and glass attack is clearly noticable on the floors of the gathering and warming holes. There is clear movement of a large crack on the right-hand side gathering hole. It is also noticable on the inner surface of the walls themselves, which show a rounding-off of corners. This is a continuous process caused by the potash and sodium rich hot gases forming a glaze on the inner surfaces of the walls (the hot face) by dissolving and combining with the silica and aluminium. In contrast, the ceramic pot support bars have survived remarkably well, showing no sign of attack from the furnace gases, and with only some glazed patches from drips of molten glass.

There are the normal blue-green to yellow deposits around the various holes in the furnace and on the inner surfaces of their associated collars and stoppers. Sarah Paynter, in her discussion of similar deposits from our 2005 and 2006 furnaces, says: "The composition of each of these samples was dominated by potassium, sulfur, calcium, and sodium", and: "These deposits have formed predominantly from compounds in the burning fuel that had volatilized in the furnace and then condensed on cooler surfaces. Some lime-rich fuel ash was also incorporated in the deposits." See Paynter 2008, p.287.

Spillages from leaking pots on the floor of the firepit have combined with ash to form a hard, glassy deposit which is up to one inch thick, and the tiles have blackened and cracked. The fired daub supports for the stainless steel firebars have cracked and distorted, particularly at the entrance to the firepit, and the bars themselves have also badly oxidised.

We have lost some of the collars and stoppers through breakage from thermal shock during use, but we treat these as throwaway. We also made some half-inch thick gaskets from ceramic fibre blanket to place behind the collars to stop heat leakage from the gaps between the furnace wall and the collars.

Glass Vessel Surfaces
We tried to keep the attack on the surface of the glass to a minimum, and we largely succeeded, although there invariably was a slight milky bloom on the vessels’ outer surfaces. This was not evident on the first day’s production, and only slightly on the second day’s production. The reason(s) for its occurence could include:

  • a build-up of ash, as Steve did not rake out at all during the nine days’ firing. Also, the ash acquired a dirty green-yellowish colour, which may indicate a build-up of sulphur.
  • chemicals coming from the hot, oxidising and deteriorating stainless steel (316 grade) rods used for the grate.
  • the introduction of sulphur or other chemicals into the ash by burning old fence posts and Horse Chestnut during each day’s three to four hours of firing the furnace to bring it up to 1000°C prior to the introduction of hot glass into the main pot. After that, the fuel was switched to Beech and Walnut during the glassworking phases. This is the most likely reason. See Paynter 2008, p.281, where she notes that the dulled surfaces contained increased levels of sulphur and zinc.
  • the complexity of the vessel and time spent on reheating. This combines with the previous point to increase the amount of attack.
  • the glass composition. Would introducing a small amount of sulphur into the batch stop the removal of sodium by the sulphur in the furnace atmosphere (as Ian Freestone suggested)? Probably note as the same glass composition has been used at the wood-fired furnaces at Velzeke and the Villa Borg (see this page), with very little - but not entirely absent - glass attack.

The two goblets we made both showed glass attack. It was worst on each of the bowls, with some on the high points of the mereses, and virtually non-existant on the rest of the goblets. That on the bowl was the most interesting. There was very little attack whilst making the goblet on the blowing iron, but when puntied and reheated, the bowl developed serious attack (except for where the rim was reheated enough to be opened out). Presumably the sulphur is being absorbed into the glass as it becomes molten and the time spent reheating this area of the bowl is not enough for new attack to develop. Can it be stopped entirely? Raking out the ash each day may help.

The furnace at the beginning of Firing Five A section of Beech wood showing the extent of the woodworm damage One of the ceramic fibre blanket gaskets on the marver A ceramic fibre blanket gasket in use A ceramic fibre blanket gasket in use The furnace at the end of Firing Five The left-hand side of the furnace The right-hand side of the furnace
One of the pipe warming holes The back of one of the collars, showing the coloured deposits
The back of one of the stoppers, showing the coloured deposits Greenish-coloured ash at the ash hole at the end of Firing Five
Ash in the stoke hole at the end of Firing Five The right-hand interior of the furnace
The left-hand interior of the furnace The build-up of glass and ash in the firepit
A view from the top hole Glass and ash build-up and the distorted fire bar supports
Glass and ash build-up and the distorted fire bar supports A view of the firepit from the stoke hole

Lehr

We maintained a daily average temperature of 470°C, increasing it to around 500°C for the last half hour.

The total amount of wood used over nine days was 283.5 kilos (0.2835 tonnes), at an average rate of 3.71 kilos per hour, or 31.5 kilos for each average 8.51 hour firing day.

We used woodwormed Beech for the first two days, then added Pine offcuts and other salvaged wood to the Beech for the next seven days.

The rate of fuel use (3.71kg/hr) was a marked improvement over that of Firing Four (5.17kg/hr) - probably due to maintaining slightly lower temperatures during the day.

The lehr at the end of Firing Five
Annealed glass vessels (Photo © Steve Wagstaff) Annealed glass vessels (Photo © Steve Wagstaff)
Annealed glass vessels (Photo © Steve Wagstaff) Annealed glass vessels (Photo © Steve Wagstaff)
Annealed glass vessels (Photo © Steve Wagstaff) Annealed glass vessels (Photo © Steve Wagstaff)
Annealed glass vessels (Photo © Steve Wagstaff) Annealed glass vessels (Photo © Steve Wagstaff)
Annealed glass vessels (Photo © Steve Wagstaff) Annealed glass vessels (Photo © Steve Wagstaff)
Annealed glass vessels Annealed glass vessels
Annealed glass vessels (Photo © Steve Wagstaff) Annealed glass vessels (Photo © Steve Wagstaff)

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